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twentythreebike
25 November 2007 @ 03:28 pm
 
i love you all
you diligent livejournal readers.
but i'm switching to committed journal writing
with old school paper and pen.

thank you for all the kind words and poking and prodding
sure has been an interesting three years.

cheers,
gillian.
 
 
twentythreebike
21 November 2007 @ 08:23 pm
 
for the record-
this has been the best and hardest semester ever.

in a show at the khyber opening friday.

"Beastie!
Occurring Daily Through Saturday, December 15, 2007.
7-9pm
422-9668
The Khyber ICA, 1588 Barrington
Opening, FemFest
In celebration of the wild and strange, FemFEST's Beastie! takes over the third floor of the Khyber Building with paintings, animations, myths, tiny animals, caves and lairs. This show brings together the work of nine local artists."

nine local artists being Barara Berry, Blythe Church, Dorota Forfa, Laura Dawe, Tanya Davis & Krista Davis, Jesse Harrod, Cait Harben and Gillian Strong will be exhibiting wild (and some times woolly) works of art in a mass array of mediums.

these are really exciting times-
and neocraft this weekend.
exciting- exciting-exciting.

annnnnnnnnnnnnnnnnnnnnnd.
i just watched la flor de mi secreta again. my favourite almodovar.
hyperdrama seems less then descriptive. but brilliant. bloody brilliant.
 
 
twentythreebike
20 November 2007 @ 01:16 pm
 
 for the record- i had to remove the sinead o'connor review to get my livejournal back.

oops. my bad. sorry to anyone who thought i disappeared. still here.
 
 
twentythreebike
15 November 2007 @ 09:08 pm
 
 oh dear.

am vaguely scared/excited.

convinced david howard to come see warren seelig speak.

this could be very good. or very bad. 

or maybe both.

i hear there was carnage- carnage when he saw bruce metcalf- 
if there's carnage this time- it'll happen in a different way.
but it might not be carnage.

whatever happens. very, very interesting.
 
 
twentythreebike
09 November 2007 @ 07:23 pm
borrowed from kayapapaya.  
I want to know 35 things about you. I don't care if we never talk, never liked each other, or if we already know everything about each other. Short and sweet is fine.

You're reading my journal so I want to know you better!

1. What can you cook?

2. What was your dream growing up? Has it changed?

3. What talent do you wish you had?

4. If I bought you a drink what would you like it to be?

5. How did we meet?

6. What was your first impression of me? Has it changed?

7. What zodiac sign are you?

8. Any Tattoos and/or Piercings?

9. Best and Worst Habits?

10. If you saw me walking down the street would you offer me a ride?

11. Favorite sport?

12. Is your attitude pessimistic, optimistic, or otherwise?

13. What would you do if you were stuck in an elevator with me?

14. Best thing to ever happen to you (that you can post in public)?

15. Tell me one weird fact about you:

16. Do you have any pets?

17. What if I showed up at your house unexpectedly?

18. What was the last book you read?

19. Children: cute or scary?

20. If you could change one thing about how you look, what would it be?

21. Would you be my crime partner or my conscience?

22. What color eyes do you have?

23. Been arrested?

24. Favorite thing to drink?

25. If you won $10,000 dollars today, what would you do with it?

26. Where's your favorite place to hang out?

27. Do you believe in ghosts?

28. What do you do in your spare time, if any?

29. What's your swearing style?

30. Biggest pet peeve?

31. In one word, how would you describe yourself?

32. Do you believe in/appreciate romance?

33. If you could spend 12 hours with me and ask/do anything you like, what would it be?

34. Do you have an ethical code of conduct for yourself?

35. What is your favorite aspect of yourself, mentally or physically?
 
 
twentythreebike
07 November 2007 @ 09:51 pm
oh yes.  
Pablo Neruda via Jeanette Winterson...

PABLO NERUDA. Chile- 1904-1973
Nobel Prize 1971.

ODE TO THINGS (oda a las cosa)
From the collection - ODES TO COMMON THING


I HAVE A CRAZY
Crazy love of things.
I like pliars,
and scisssors.
I love
cups
rings
and bowls -
not to speak, of course,
of hats.
I love
all thing,
not just
the grandest,
also
the infinite
ly
small-
thimbles,
spurs,
plates,
and flower vases.

Oh yes.

 

 
 
twentythreebike
07 November 2007 @ 06:38 pm
 
 yesterday i was preparing my presentation about judith butler's contingent foundations
and i had asked - how big was to big for a supplementary package- 
and david howard said- fifteen pages would be enough
and i said ok
so wanting to really give people a clear sense of what was at stake 
i made this package with excerpts from
mary wollstonecraft
betty friedan
andrea dworkin
and interview with judith butler
and there was a massive kurfuffle with the printer at ast
(even though i don't live at ast anymore i like working from their library it's so quiet and once your there there's really 
nowhere else to go- and there's coffee and tea by donation)
so i was so keen on all this background stuff- 
that i didn't take enough time to fine tune my presentation
and i was sooooooooooooooooooooooooooooooooooooo
hopeful that she would have something- some grain of a thing to offer as a rebuttal
to the bleakness of slavoj zizek and the zero-moment
and then david howard pointed that well- at least in that essay-
she just didn't -
and i felt like the grinch that stole christmas- at the end when he's had a change of heart- in reverse.
with all kinds of presents under my arm-
that were suddenly redundant-
inappropriate
misguided even.

all i could do was bite my lip to keep it from trembling.

julia coombs said two lovely things to me after class-
i do the readings gillian- and i prepare the presentations-
but it's like you're eating them.

and then after a long chat about false love
she said
i think some people are like allergies
it doesn't matter if you like them
they're not good for you.

true. absolutely true.

we went for post-class beers. 
i had two pints and we split an order of nachos and it was some good.
i haven't done that yet-
but was it ever good.

i think i was just chatted up in the library.
how i love this job.

and a boy wants to drink bubble tea with me.
some time. 
even if it never happens 
that he wants to is real nice.
 
 
twentythreebike
05 November 2007 @ 07:09 pm
 
also
sinead o'connor's new album
theology
made me cry.
i listened to it over and over again
walking around halifax today. 

Although O'Connor claimed fear kept her gaze downward, her stage presence did not suffer. She chatted about becoming addicted to television preachers during a brief time living in Atlanta prior to the Celtic-reggae hybrid "Lamb's Book of Life." And she mused about doing interviews with the Christian press for her new album "Theology" and the fact that a small percentage of the interviewers would take issue with her suggestion that "God perhaps doesn't want war."

As a rebuttal she offered up "If You Had a Vineyard," with its direct quotations from Isaiah and lush backing vocals, which pulled the listener along as if caught up in a current.

While "Theology" draws inspiration from scripture, a well O'Connor has tapped since her debut album, "The Lion and the Cobra," it was not the ecclesiastical that produced the night's most rapturous moment. That occurred when O'Connor stood at the microphone and lifted her voice for "In This Heart." As she was joined in harmony one by one by her bassist, fiddler, and guitarist, the intertwined notes pulled a little bit of heaven onto the stage and easily survived a momentary lapse of lyrical memory

she quotes from song of solomon- the most erotic book in the bible
and gives a surprisingly amazing rendition of jesus christ superstar's "i don't know how to love him"
the whole thing is an unabashed love letter to jesus 
knowing the realities of how fucked everything is- and never denying that for a second.
she offers instead- 
the possibilities of something beautiful.

truly .
near weepy on barrington st.

one of those days.
the good kinds of days.
 

 
 
twentythreebike
05 November 2007 @ 06:51 pm
 
if you want to see the program for neocraft
check it here.


awww yeah.
 
 
twentythreebike
05 November 2007 @ 05:41 pm
 
 it is unbelievable.
once again- everything is different-

i won the appeal.
student loan tried to screw me over
and i politely said screw off
and was backed up by my former priest
and the prof whose class i failed 
and

won

this is no small potatoes-
the student loan situation made me choose between paying rent or paying tuition 
so logically i paid rent
and dealt with crap from nscad's business office
and was made to feel like i owed them my firstborn child
what joy will be mine when i get the check from the appeal
in the business office and give it right back to them 
and then tenatively register for two classes in the winter

it's the principle of the thing-
i fucked up
learned a lot in the process
e.g. there are limits on the places you can go intellectually-
abject representations of motherhood
are unrepresentable for a whole host of reasons
my attempts to articulate their unrepresentable-ness
rendered me lost with my copy of the kristeva reader in my hand
which i regularly used to beat/berate myself with

how much happier are these times

david howard this afternoon-
how did it go with the judith butler-

oh fine -says me-
i just want to know how much background on the history of feminism i should bring in

david howard-
as much as you want-given that people today just don't have a sense of how important feminism is.

(and inside i went woo hoo! mary wollstonecraft! betty friedan! catharine mackinnon! andrea dworkin! bell hooks!
! = getting to talk about them critically- some i have more love for than others- and also woo hoo the male head of the art history department 
is asserting how important feminism is! woo hoo!)

and he said - if you won the appeal does this mean you're in my class next semester
and i said for probably the fifth time "maybe"
"not yes and not no"
but this does mean that i might not be auditing postcolonial craft i'll be receiving credit
woooooooooooooooooooooo hooooooooooooooooo

i'm in a show at the khyber
featuring an installation by allyson mitchell
and i asked sandra alfoldy if instead of submitting an exhibition review i could submit 
the essay and artist statement i was writing 
and she said "of course!"
and then later i saw her walking and we chatted 
and she talked to me - yet again- like a colleague-
she's one of three working craft historians in canada
and is loved universally by her students
in fact i don't think i've ever heard anyone who took a class with her who didn't love her
she gave me bits and pieces of insider gossip re:neocraft
which will probably be the, if not one of the, most important events of my academic career-
it's now full- people who want to come from halifax, india, scotland, bangladesh and elsewhere are being turned away
for there is not enough room at the new port campus and the rented space of pier 21 to hold them
to the kids and other folks connected to the anna templeton centre and in anyone else who's coming
i have seen the schedule- it is going to be a brilliant weekend
just before and shortly thereafter i'll be pretending to be heather mckean- the secretrary for the historical and critical studies department
 while she's away for a week
talk about big shoes to fill. not even kidding.
next to the word "gregarious" in the dictionary there ought to be a picture of her face.
sandra told me that i'm adored by her, mary and david. 
and that she likes reading my essays because i'm a nuanced thinker
swooon!
it might seem ridiculous- but i'm absolutely neurotic about my essay writing
i labour over every sentence- although lately it helps a lot that i write by hand and then transcribe my illegible scrawl
to some computer and then have it proofread by more than one human
it means when i procrastinate i have to budget a lot of time
it is no understatement to say that i'm being groomed for grad school.
and no understatement to say that had you asked me if i would've thought that was possible five years ago
i would have told you to shag right off. get bent. or something to that effect.
i will write. i might teach. 
i will be a voice for craft discourse. maybe even a maker of craft too.
and if david howard has his way it'll be a voice that can recite adorno and benjamin by heart.
which wouldn't be a bad thing.

sandra wants to commission me to knit a crap load for neocraft.
and i laughed hysterically and then said "maybe".

i have been commissioned to knit a chanel sweater from the sixties.

truly. it's a charmed life i lead.

good times. 
i always get nervous about the good times.
as if there's a bogeyman in the closet waiting to tell me that things are otherwise.
but no. 
trying real hard not to do that this time.

i moved into an enormous house on brunswick and cornwallis
with eight other people
it's really nice-
on my first night there i walked into a kitchen full of folks and said 
"um- does anyone have any tea" and i was told
"tea- there's communal tea!"
there's a passage from ephesians on the door to the kitchen 
which might be this one- but i'm not sure...
I therefore, the prisoner in the Lord, beg you to lead a life worthy of the calling to which you have been called, 2with all humility and gentleness, with patience, bearing with one another in love, 3making every effort to maintain the unity of the Spirit in the bond of peace.
copies of hymnals and prayer books in the dining room
and a copy of the stepford wives (the original- don't talk to me about the new one) and sabrina (the original- w/audrey hepburn and humphrey bogart)
and i was told that if i had a boyfriend or girlfriend- it would be okay if they spent the night- 
a sure sign of hip christians if ever there was one.
a rocking chair on the second floor looking out at the back end of st.george's church.
a guest room in case peeps visit.
i've got a nice big room with a bed and a  great big desk and a bookshelf 
and my walk to school is now five quick minutes 
ten leisurely ones
which will matter quite a bit when winter comes.
and life is cheaper this way.
which is important.
good to live in the north end.
good to live in community.
good to live next to a church.

i have a phone again too.

hope all is good out there.
g unit.
 
 
twentythreebike
02 November 2007 @ 02:21 pm
 
from hejira-

You know it never has been easy
Whether you do or you do not resign
Whether you travel the breadth of extremities
Or stick to some straighter line
Now here's a man and a woman sitting on a rock
They're either going to thaw out or freeze
Listen...
Strains of benny goodman
Coming thru' the snow and the pinewood trees
I'm porous with travel fever
But you know i'm so glad to be on my own
Still somehow the slightest touch of a stranger
Can set up trembling in my bones
I know - no one's going to show me everything
We all come and go unknown
Each so deep and superficial
Between the forceps and the stone

Well i looked at the granite markers
Those tribute to finality - to eternity
And then i looked at myself here
Chicken scratching for my immortality
In the church they light the candles
And the wax rolls down like tears
There's the hope and the hopelessness
I've witnessed thirty years
We're only particles of change i know, i know
Orbiting around the sun
But how can i have that point of view
When i'm always bound and tied to someone
White flags of winter chimneys
Waving truce against the moon
In the mirrors of a modern bank
>from the window of a hotel room

I'm traveling in some vehicle
I'm sitting in some cafe
A defector from the petty wars
Until love sucks me back that way

the test of a good album is when you don't listen to it for years
and then some random lyric hits you hard
and you remember listening to it before in different contexts
and then it all hits you all of it.
and you have to sit down. and not move. and just listen.

once my dad was waiting for me in the car-
and he was listening to joni mitchells "hits"
and when i got in he groaned-
he said something about how he was glad i came back quickly-
because joni mitchell on the car radio was making him think about suicide.
he was joking. but it was really funny at the time.

 
 
twentythreebike
02 November 2007 @ 01:38 pm
 
moving again-
listening to joni mitchell's hejira-
thinking tons.
a few weeks ago i was checking my mailbox constantly for a postcard from mexico-
and then today it comes.
joni sings

" The drone of flying engines
Is a song so wild and blue
It scrambles time and seasons if it gets thru to you
Then your life becomes a travelogue
Of picture-post-card-charms
Amelia, it was just a false alarm"

lots of strange moments of late- like today with the postcard
and then last night
michael said
"i have to write a paper- do you want to go for a walk?"
dangerous to ask me- the procrastinatrix queen to go for a walk when you really have something to do-
so we went to the hospital- visited my friend david hatcher- who needs surgery again-
david was sleepy- and groggy and confused by seeing me
but reached out a shaky hand anyway and held onto mine loosely for a bit
peter kyte - an assistant i lived with briefly who's been in l'arche cape breton since
i first got there- five years ago
well- peter needed to talk
needed to make bad jokes and be silly so we went to that weird pizza place on quinpool
and michael and peter had fish and chips and i had a smoothie
and michael's paper was about the holy spirit- and we tried to help
but we're not theologians. there's only so much to be done.
7 years ago i never would've talked to someone like peter kyte.
he's as old as my father.
he drives me nuts. he picks on me the way an uncle would- with jokes that fall so far into the realm of almost-offensive-ness
but for him i have a huge grain of salt. i can't say that about a lot of people.
but i can say that for peter kyte.
he needed to gripe and moan and gossip in pieces about l'arche
but so close to the everything he said was so much love.
he's loves it there. he loves there. he's loved there.
i saw his house once. the one he lived in before l'arche.
it was a state. it was filthy.
it was clear to me that day-that had he not ended up at l'arche he would've ended up in one bad way or another.
and it wouldn't have been pretty.
it was good to see him.

yesterday also i proofread a paper for someone in the craft and design history class-
i'm generally quite neurotic about my own writing-
lately things need to be proofread by more than one person before i'm convinced that it's not crap
but wow. that paper was awful. badly written. no research.a disturbing kernel of homophobia-
the ironic thing was she was reviewing the same exhibit i'm planning to-
but not understanding the relationship between craft and twentieth century art
or the caring about queers or queer art in general
she totally missed the point


Foulem's a big smart weirdo.
but if you don't care about the intersections between contemporary art and craft
then you won't get it.
it was really hard- i wanted to be nice- but it was such an awful paper-
i told her she was using a modernist framework to analyze postmodern artwork.
she looked at me like i was on drugs.
i suddenly had huge empathy for teachers.

other strange moment
i ran into father thorne - the anglican chaplain from king's college in the library.
i asked him "how's the life"
and he paused for a good two minutes or so and said
"ahhhh, now that's a good question"
and we talked for a bit and he said
that someone from the retreat who had recently gone through a painful surgery
asked father thorne to take some of his pain
so he said that he did
and then he asked father thorne about christianity
because he was sincerely interested
and then father thorne responded by saying
"perhaps in this world christianity is completely inaccessible to people today"
then father thorne asked me to pray for him.

thrown for a loop is an understatement.

thinking a lot about coming home to do the m.phil.
it wouldn't be for a few years though.
but i could write some pretty interesting stuff.

hope all is well out there. i really do.
 
 
twentythreebike
30 October 2007 @ 03:37 pm
 
when i left david howard's office today
he touched my shoulder (again)
and said softly-
i only wonder what your classmates make of you-
you must appear to be some kind of alien.

thanks david.
i think if you're going to make us read  slavoj zizek
we should be given some kind of drug to make the end results more bearable.
or at least give us cocktails. a martini with olives would be alright.
everything in my modernism/postmodernism class becomes diluted to a choice between
one brand of fascism or another brand of fascism

zizek on christianity-

http://www.believermag.com/issues/200407/?read=interview_zizek

BLVR: Do you believe in God?

SŽ: No, I am a complete atheist.

BLVR: Your book The Puppet and the Dwarf deals with St. Paul. In fact, it celebrates St. Paul’s Christianity in contrast to other forms of spirituality, i.e. gnosticism, new-age spiritualities, etc. So why would an atheist defend Christianity?

SŽ: Today, spirituality is fashionable. Either some pagan spirituality of tolerance, feminine principle, holistic approach against phallocentric Western imperialist logic or, within the Western tradition, we have a certain kind of rehabilitation of Judaism, respect for otherness, and so on. Or you are allowed to do Christianity, but you must do a couple of things which are permitted. One is to be for these repressed traditions, the early Gnostic gospels or some mystical sects where a different nonhegemonic/patriarchal line was discernible. Or you return to the original Christ, which is against St. Paul. The idea is that St. Paul was really bad, he changed Christianity into this patriarchal state, but Jesus, himself, was something different.

What I like is to see the emancipatory potential in institutionalized Christianity. Of course, I don’t mean state religion, but I mean the moment of St. Paul. I find a couple of things in it. The idea of the Gospel, or good news, was a totally different logic of emancipation, of justice, of freedom. For example, within a pagan attitude, injustice means a disturbance of the natural order. In ancient Hinduism, or even with Plato, justice was defined in what today we would call almost fascistic terms, each in his or her place in a just order. Man is the benevolent father of the family, women do their job taking care of the family, worker does his work and so on. Each at his post; then injustice means this hubris when one of the elements wants to be born, i.e. instead of in a paternal way, taking care of his population, the king just thinks about his power and how to exploit it. And then in a violent way, balance should be reestablished, or to put it in more abstract cosmological terms, you have cosmic principles like yin and yang. Again, it is the imbalance that needs to establish organic unities. Connected with this is the idea of justice as paying the price as the preexisting established order is balanced.

But the message that the Gospel sends is precisely the radical abandonment of this idea of some kind of natural balance; the idea of Gospels and the part of sins is that freedom is zero. We begin from the zero point, which is at least originally the point of radical equality. Look at what St. Paul is writing and the metaphors he used. It is messianic, the end of time, differences are suspended. It’s a totally different world whose formal structure is that of radical revolution. Even in ancient Greece, you don’t find that—this idea that the world can be turned on its head, that we are not irreducibly bound by the chains of our past. The past can be erased; we can start from the zero point and establish radical justice, so this logic is basically the logic of emancipation. Which is again why I find any flirting with so-called new-age spiritualities extremely dangerous. It is good to know the other side of the story, at least, when you speak about Buddhism and all of these spiritualities. I am sorry, but Nazis did it all. For Hitler, the Bhagavad Gita was a sacred book; he carried it in his pocket all the time. In Nazi Germany there were three institutes for Tibetan studies and five for the study of different sects of Buddhism.

BLVR: That is a really interesting point. I’m not religious at all, but when it comes to religions, I’ve always really distrusted new-age spiritualities.

SŽ: I agree. So let’s at least be clear of where in the West this fascination with Eastern spirituality originated. Of course when I advocate Christian legacy, I make it very clear that this legacy today is not alive in the Catholic or any Christian Church. Here I am kind of a vulgar Stalinist; churches should either be destroyed or turned into cultural homes or museums for religious horrors [laughs]. No no no, it’s not that, but nonetheless, a certain logic of radical emancipation exploded there. And all original emancipatory movements stopped there. This should be admitted. So the point is not to return to the Church, to rehabilitate Christianity, but to keep this certain revolutionary logic alive. I mean this is the good news that the Gospel means: you can do it, take the risk.


 
*****

bleh.

 
 
twentythreebike
27 October 2007 @ 12:09 pm
 
 last night i danced it up proper.
enjoyed some free beers.
i was also drunk proper.
twas good.

great costumes:
someone went as a facebook profile-
there was a fantastic ziggy stardust bartender
my friend angela went as the colour red which she later regretted b.c of the sweaty makeup factor
margot (andrea vincent)  and richie tenenbaum - whose costumes were unrelated 


discovered that perhaps a halloween costume which is mostly garbage bag
translates to mostly sweat. 
i went as one of the sleez sisters- a reference to times square- 
i have a super weird relationship to times square in that i heard about it somehow 
not long after i came out- and would find copies of the soundtrack on vinyl in random places-
and then when i finally saw it- it was terrible- a really bad movie - but there are some fantastic scenes 
and some great visual images- 


this synopsis from imdb is the most affectionate reading i've seen of it-

The 1980 movie Times Square is both a cult movie, and about cults, and seems to be a self-conscious attempt to CREATE a cult about itself (which failed -- the real cult following was entirely different).

Although Tim Curry was given top billing, his is a supporting role. The real stars were two teenage unknowns -- Trini Alvarado and Robin Johnson. The story follows these two opposites-who-attract as they escape together from a hospital where they're undergoing psychiatric and neurological tests. Alvarado's Pam is the daughter of a well-known politician; she is depressed and withdrawn and we clearly see that these tests are her father's way of throwing money at the problem rather than really be involved with his daughter. Her hospital roommate is Nicky -- Johnson's character -- who is clearly disturbed; she is also exciting, electric and incredibly bold, and Pam is intensely attracted to her.

Curry plays a DJ with a bit of a cult following, and here the movie is clearly playing on Curry's cult appeal to RHPS fans -- in 1980, Curry was still sexy as hell, was recording rock albums (remember I Do the Rock?) and RHPS fandom was in full swing. I certainly knew fans in those days who were happy to form a cult around any movie Curry was in -- they were even seeing Annie every week!

Curry's character reads warm platitudes and heartfelt letters from teenage girls between playing 80s punk and New Wave songs. He realizes that the runaway politician's daughter has written to him in the past and helps to create a teen cult following for the "Sleez Sisters," as the girls call themselves.

There's a lot going on here. The "Sleez" motif stands in opposition to a father who wants to clean up Times Square; of course he and his ilk have won by 2001. Although the movie -- through Curry's voice -- is very preachy about this, you also get to see for yourself the vitality and value of the filthy, un-cleaned-up streets.

In addition, there's the creation of a cult at work. The movie doesn't much examine what this means, and I had a sneaking suspicion that the real intention of the filmmakers was to create the very cult they depicted, which of course makes the whole thing irritating and heavy-handed. But it's there and available for the viewer to ask -- what happens when something real and vital becomes just another fashion statement? What does fandom do to its object of adoration?

There's also the story of the liberation of these two girls, which is over-done, and again seems designed to make other girls become adoring fans of the Sleez Sister message, but there's a core of real beauty to it.

The relationship between the girls is clearly romantic, and that's where it developed its real cult following -- from showings at lesbian festivals. Much of the lesbian content was never filmed, and most of the rest landed on the cutting room floor -- so much so that you know there are missing pieces as you watch; it's often obvious you're seeing the second part of something without a preceding scene to establish it. Nonetheless, there is passion, adoration, loyalty and tenderness between these girls, and it works.

The first time I saw this movie, I saw the surface stuff; "No Sense Makes Sense" and "they" think that bad girls are crazy. But Nicky clearly IS crazy, and the script and acting portray that with a clear eye.

Finally, Times Square has one of the best rock and roll soundtracks around; Suzi Quatro, The Pretenders, D.L. Byron and Patti Smith among others. The soundtrack itself has a cult following, and deservedly so.
 

Kathleen Hanna cites it as one of her favourite movies- 
it's not a favourite - but it is super interesting- and nicky marotta's storming of the radio station- breaking a window and demanding to be on the air always gives me chills just to sing an incredibly pained love song- 
this movie was important to me before i even saw it. 

so my costume was "obscure reference"
 nobody got it.
 it was okay.

suddenly i decided to leave around oneish.
i walked home listening to david bowie's ziggy stardust-
again the lyrics of "rock'n'roll suicide" making me near weepy -
i don't think there's a single misplaced note on that album- watching the live concert i find really intense b.c 
of how fascinating it is to watch him in the dressing room- looking vaguely shy- almost awkward-
but every move on the stage so calculated - deliberate.
and those costumes. 

i had a really great summer.
i feel really good about the fall.
for a while though things felt a bit too much.
i was a bit too much.
excessive. an excess of emotion-
resolved now to watch dramatic movies 
instead of being the drama.
 
 
twentythreebike
23 October 2007 @ 10:09 pm
 
in my studio class we had to find precedents for our work-
I found myself going back to Jim Maunder's Body Conscious series-
specifically this piece- which I think is gob smackingly brilliant.
if you get a chance to hear Jim talk about his work -
it's worth it.
He's lovely.

 
 
twentythreebike
22 October 2007 @ 12:00 pm
 
i'm having a hard time switching livejournals.
i feel a bit more comfortable writing on this one.
but we'll see.
The trip to Toronto was great- but totally surreal-
left Thursday evening- scrambled off a report to the board post library shift
and literally ran to the shuttle
It occurred to me that I've made that trip I think three times-
the first time was when I was national rep-
and just like this time I stayed with Angie
which was as hilarious then as it was hilarious now.
Angie lives in a one bedroom apartment near the Dupont subway station
Never has the word bedroom been so appropriate as I think her apartment is 1/2 bed.
I have fantastic memories of that first trip in terms of meeting all day and then going back to Angie's
and laughing my arse off.
At one point going to some Thai restaurant with Michael Burtt and Angie and laughing so hard
that when we got up to leave I was victim to the meanest looks from everyone else who was trying to peacably enjoy their food.
I still remember the soundtrack definitely at one point consisted of a muzaked version of "i've had the time of my life" predictably
w.saxophone.
hilarious.
When I got to toronto- around 10 at night-
getting from the airport via public transport was more complicated than anticipated
but i managed- so around 12 o'clock or so
as the escalator climbed to reach the plexiglass dome of the dupont station i caught a glimpse of Angie
sitting with a woman-on the other side of the glass around the corner
at long last-
ANGIE's GIRLFRIEND!
anyone who's ever met Angie MacNeil knows that powerhouse of ridiculousness brilliance fails as a descriptor.
So when she finally came out to me after all those years of watching her date men and well- loath them
I was more than a little intrigued
so the first thing Moran says to me
"my hands smell like curry- do you want some chips" and thrusts a bag of curried lays in my direction.
I was tired from travel- the chips were tasty
there were hugs and coohing sounds and conversation
about the event they'd been to on the trafficking of women
and the nature and complexity of feminist community and organizing in toronto.
Angie has always been intensely passionately happy- even the intensity of her rage has that quality-
but seeing her with Moran- seeing her in love.
Pretty incredible doesn't quite go there either.
Immediately after Moran left- within ten minutes Angie slips in a subtle joke
referencing the bizarreness of the WRC
to which I roar.
Always the need to do this
Remembering how fucked up it was to be a part of a liberal feminist "community"
The need to always assert by abjection- that we aren't that. that shit was fucked up.
The problem- which is endemic to a lot of the clubs and societies at MUN-
which I think is in part due to the architecture of the student centre-
they are completely removed from campus life-
a person only goes to the sixth floor with the purpose of being in one of these clubs
but mostly the wrc was messed up because of the essentialism- the absolute bullshit of a feminism that was some kind of fusion
of andrea dworkin+ naomi wold + sex in the city- asserting as a universal given for all of us.
on the plane i was reading judith butler's "contingent foundations" i have to give a presentation on it soon
and found this lovely passage-

‘if feminism presupposes that “women” designates an undesignatable field of differences, one that cannot be totalised or summarised by a descriptive identity category, then the very term becomes a site of permanent openness and resignifiability. I would argue that the rifts among women over the content of the term ought to be safeguarded and prized, indeed, that this constant rifting ought to be affirmed as the ungrounded ground of feminist theory. To deconstruct the subject of feminism is not, then, to censure its usage, but, on the contrary, to release the term into a future of multiple significations, to emancipate it from the maternal or racialist ontologies to which it has been restricted, and to give it play as a site where unanticipated meanings might come to bear.

‘Paradoxically, it may be that only through releasing the category of women from a fixed referent that something like “agency” becomes possible.’

There was endless talk at the WRC about sisterhood- I remember conversations about
"who was a sister"

and I remember other conversations when an alleged 'sister' would leave a room- suddenly out came the knives-

jean vanier says that gossip destroys communities. he also says love of communities can destroy them too. it's the clubhouse mentality- the desire to assert safe spaces. again- questions of power- who's in? who get's to say what's safe?

they were hard times.  i left the WRC and never went back. instead went to LBGT mun- where the politics were also fucked. so eventually i left there too. but because i was there i ended up in SCM.

but in both cases there were people around the WRC and LBGT mun whose friendships were invaluable- like Angie, Renee, Steve Dymond. People that made me feel profoundly alive- ridiculous- courageous-

it was very necessary.

I remembered how I felt years ago.  The incredible cardboard woman. Rigid- awkward- passionate but unsure of herself at every step.
 I've written about this before- but the time in the Anna Templeton Centre program really changed that- mostly it was feeling super comfortable in the presence of straight-identified women and not feeling like in being someone's friend that i was creeping them out- not feeling like an alien- but also- not just those friendships but the act of making something- making something tangible-  weaving- knitting- dyeing- i still love dyeing wool a lot- i love putting it in the pot- watching it slowly absorb the dye- leaving it to dry and then noticing how, in the case of natural dyes anyway- they have a kind of lit from within quality to them. The graduating show. Being on that platform wearing something I made myself- arms linked around those girls posing for photos wearing things they made and all looking so fucking fabulous. No part of me was cardboard then. Nor is now.

here's an excerpt from earlier livejournal about that time-to clarify i left national conference in ottawa- was flown home and flown back - just so i could be at that show.

"one day i'm feeding a goat, talking seriously about anti-oppression work and the next i'm on the platform modeling my own clothes and my dad and stepmom are on one side of the room and my mom is standing awkwardly beside me on the other side and its packed and allison book is swigging back the beer everytime i looked at her and a big speaker blared her mixed cd and i sang along to pulp and ladytron and watched some 60 pieces come from my twelve classmates and i. and we all climbed up on the platform, with our flowers in hand and posed for class shots, i cried a bit at some point, when deirde got the award, just b/c i knew she deserved it...at barry's new bar later that night and allison book has forgotten that she doesn't know how to dance but oblivious to the fact that she is the worlds cutest girl so it doesn't really matter and adam wight kept telling me i was so pretty and me and matt dawe talked indie rock records like always and lindsey, kyla, sarah, guzz,sabrina, kathryn, peggy,melissa, deirdre, carolyn, were drinking and laughing and taking pictures of themselves and katie, susan, elizabeth, bev and sarah minty were all there and laughing and drinking beer and i snuck away to go back to school and get my luggage, had a beer by myself and walked around looking at everybody's work while waiting for a cab. i came home to my messy apartment, eventually the cats showed up, and i slept for four hours, hauled my ass back to the airport for conference. the next day i facilitated a full day of consensus decision making.at some point i went to a wine and cheese for an anglican justice camp. holy crap. they must have found all the rowdy anglicans in canada and put them in a room together.there was someone there from a group called Integrity, an LBGT Anglican group who wanted people to march with them at the Nigerian embassy the following day (see http://www.integrity.ca as to why they were there, i m too woolly to be articulate right now). if you'd asked me before i wouldve said rowdy anglican was an oxymoron. not so."

The hilarious irony of this is that I've been making a return to the Anglican church. I am slowly becoming a rowdy Anglican in my own right. The time I spent in the United Church was important- I needed that space to feel completely comfortable in the church- to begin to feel comfortable articulating myself as someone who does identify as being Christian. But I don't actually have a religious experience there- it's an intellectual one- most of the time. The big thing for me is communion. When I went on the retreat with the King's College Chaplaincy (very, very high Anglicans) I could not get over how much I missed communion. Longed for it even. The words of the Book of Common Prayer were like poetry- I experienced them in some kind of immanent/ transcendent way- and the weird part was- these were words I knew and had raged against- but now- specifically this prayer- the prayer of confession;

"Almighty God, our heavenly Father:
 We have sinned against you, Through our own fault, in thought, word and deed,
 and in what we have done and what we have left undone. For the sake of your Son our Lord Jesus Christ, forgive us our sins..."

the version i'm typing is from the episcopalian Book of Common Prayer- but here's another form;

ALMIGHTY and most merciful Father, We have erred and strayed from thy ways like lost sheep, We have followed too much the devices and desires of our own hearts, We have offended against thy holy laws, We have left undone those things which we ought to have done, And we have done those things which we ought not to have done; And there is no health in us. But thou, O Lord, have mercy upon us, miserable offenders. Spare thou them, O God, which confess their faults. Restore thou them that are penitent; According to thy promises declared unto mankind in Christ Jesu our Lord. And grant, O most merciful Father, for his sake, That we may hereafter live a godly, righteous, and sober life, To the glory of thy holy Name. Amen.

In conversation with Matt Rowe post that Anglican retreat - he said-  that i distinctly told him when i was fifteen that this prayer gave a person a negative self-concept-because you have to say it every time you go to church no matter what. at that point i was really not into to church- and was totally weirded out by the impending re-anglicanization of my family as my dad was beginning theology school. although i think i was in a church band at that point at St.Thomas's for the evening services. He told me that growing up he felt himself spiritually torn between me and his brother who would go on to become a high Anglican priest. Pretty hilarious to ask him the question- so what happens if I start hanging out with high Anglicans? That's pretty cool, says Matt. Pretty fricken cool. The thing about this prayer is your relationship to it is totally shaped by your personal relationship with your experience of who God and Jesus are- if you think God is all about making a person feel really terrible about themselves and their iniquities all the live long day then of course this prayer is going to piss you off.
Here's where I am with this. God is love. God loves us in a way we can hardly fathom- barely even imagine- but experience momentarily throughout our lives. We don't love. We don't love ourselves and we don't love each other. Not well. Or at least- we manage sometimes. But we are broken. Deeply wounded. We can't manage it all the time. This broken, deeply woundedness is not exclusive to this overtechnologized era- but is a fundamental character of human existence on the planet. We try. We really do. But we hurt ourselves and hurt other people all the time because we either are afraid of our own depth of love- hurt by the absence of it in our own lives- we long for it- and not knowing how we fumble and stumble around like, well, lost sheep. This is where I think Jesus comes in. To teach people how to love- how to abide in that love- to live fully in that love- how to love ourselves and love others. From the gospel of Matthew;

 13 You are the salt of the earth. But if the salt loses its saltiness, how can it be made salty again? It is no longer good for anything, except to be thrown out and trampled by men.

    14 You are the light of the world. A city on a hill cannot be hidden.

    15 Neither do people light a lamp and put it under a bowl. Instead they put it on its stand, and it gives light to everyone in the house.

    16 In the same way, let your light shine before men, that they may see your good deeds and praise your Father in heaven.

and then later

 43 You have heard that it was said, 'Love your neighbour and hate your enemy.'

    44 But I tell you: Love your enemies and pray for those who persecute you,

    45 that you may be sons of your Father in heaven. He causes his sun to rise on the evil and the good, and sends rain on the righteous and the unrighteous.

    46 If you love those who love you, what reward will you get? Are not even the tax collectors doing that?

    47 And if you greet only your brothers, what are you doing more than others? Do not even pagans do that?


if you love community- be careful - because in the end it's easy to love people that love you-
but to love radically means to be present in this world. to listen well. to dialogue. to attempt always to deconstruct your own arrogance. to live with your brokenness- woundedness and understand it- to live with a vulnerable, fleshy heart.
to have questions that may be unanswerable- to ask them- and not be sure that the answer is accurate.
this passage comes at the end of the beatitudes- wherein everything is turned upside down-
this is call for a radical love- radical in that it necessarily to turns everything upside down-
to live the beatitudes truthfully is to try to live asserting that love radically.
this doesn't mean running around a la mr. burns on the simpsons in the episode where everyone thought he was an alien
saying " i bring you looooooove"
it means being present.
in the midst of it all.
or at least trying.
for the record i don't think a person needs to be Christian to be present and loving.
But a person that is able to do that brings something of God into this world.
This very, very broken and wounded world.
Where it is so very easy to not be present.
I have seen that kind of presence in Mikiki and Renee- and in all kinds of people who would have nothing do with Christianity-
except to criticize it, deservedly so. The church itself is in age of great reckoning.
On the plane on the way back I was reading Leo Furey's The Long Run which is set in a catholic orphanage in St.John's in the sixties- Furey calls Mount Kildare- but every reader from Newfoundland will recognize it as Mount Cashel. The first five pages made me wonder why or how anyone in Newfoundland manages to go to church at all. So much pain. So much trauma. Always a question of who gets to say what things mean and how we should live and why and the power- the travesty of the power of those priests- reflects the maxim-
absolute power corrupts absolutely. those priests were absolutely powerful.absolutely corrupted.
jesus never said "build me a great big instituition to boss people around and wreak violence and terror on the lives of those within and without and without its doorways and raise generations of people so wounded by trying to get close to me that they hurt other people"
he was a feminist.
hung out with the marginalized.
preached love.
he told peter to 'feed his sheep'
he did all kinds of whacky things.


thomas merton offers this prayer

MY LORD GOD, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road, though I may know nothing about it. Therefore I will trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.


anyway.
i have a lot of big thoughts of late.
i haven't eaten anything yet. but i needed to write.
blessings.
i'm not writing this to get anyone to go to church.
i'm writing pleading with people to be courageous.
to listen, to love and be present.

from SCM Burma-
In the spirit of the SCM Solidarity Song, written and composed
by SCM Burma in the 80's:

The song we sing not for ourselves,
for those who are oppressed and chained.
Build up a new society,
Lets share and feel With them.

The way we work not for ourselves,


in love and solidarity now and always,
gillian
 
 
twentythreebike
18 October 2007 @ 04:46 pm
 
on suffering
from allison bechdel's blog.

Somebody on the blog said they miss the sketch diary entries I was putting up for a while. I miss them too. I started one the other day about the two hours I spent sorting out a fraudulent charge to a website called Mr. Skin with my credit card company. But then I realized the cartoon would take at least another hour, and why throw good time after bad?

Although in a way, that’s a workable definition of the creative process. Nevertheless, I set the cartoon aside. Then today I realized it’s time to put my next strip up, but I put it up last week by mistake, so I drew this one panel of the credit card fraud cartoon to post instead.

I’ve been thinking about Charles Schulz (”Peanuts”) and how this new biography portrays him as a depressed, ambitious, driven, bitter person who devoted himself to his cartoon children and neglected his real ones. Thanks, Shado, for the link to Laura Miller’s review in Salon. It fit in nicely with the discussion here about Doris Lessing “abandoning” her children and the whole question of whether it’s possible to be a successful artist AND a good parent/partner/family member.

I guess you sort of expect poets and writers to be tortured souls, but it’s jarring to think that someone who draws a comic strip could be just as angst-ridden. There’s a good article in the Times about Schulz and “the cult of the suffering artist” that’s worth checking out just for the illustration–Charlie Brown painted in the style of Van Gogh’s earless self-portrait.

Silvio pointed out that Dr. Seuss was another isolated, depressed guy producing “light” work. Norman Rockwell, too, was a tortured wretch who neglected his family so he could spend all his time making paintings of happy families. I guess I’m fascinated by this phenomenon for obvious reasons. When I read the bit about how Schulz’s wife (the first one or the second?) had an item on her mental to-do list, “9-9:15, Comfort Sparky,” I flinched with rueful recognition.

Comics! Nobody knows what an excruciating business it is trying to wring humor from this bleak, pointless existence. 
 
**************************************************************
in other words- 
it's probably good that i'm single.
i wreak less havoc that way.
 
 
twentythreebike
15 October 2007 @ 08:24 pm
i always knew there was a reason why mo was my favourite.  

Which Dyke to Watch Out For Are You?
created with QuizFarm.com
You scored as Mo

You are Mo, a guilt-ridden, kindhearted liberal who doesn't relax enough. You are ordered to buy a pint of non-organic, dairy ice cream and watch Comedy Central for a week. PBS will still be there when you get back.

Mo

85%

Stuart

80%

Clarice

70%

Lois

70%

Toni

60%

Sydney

60%

Sparrow

40%
 
 
twentythreebike
14 October 2007 @ 05:30 pm
 

 and just like that 

everything changed.

thanks be to god.

especially to the thoughtful words of a smart priest.

i can safely say- i'm no longer living in something written by stephen morrissey.
mostly i'm just living.

life is good

quoth vonnegut-

And now I want to tell you about my late Uncle Alex. He was my father’s kid brother, a childless graduate of Harvard who was an honest life insurance salesman in Indianapolis. He was well-read and wise. And his principal complaint about other human beings was that they so seldom noticed it when they were happy. So when we were drinking lemonade under an apple tree in the summer, say, and talking lazily about this and that, almost buzzing like honeybees, Uncle Alex would suddenly interrupt the agreeable blather to exclaim, ''If this isn’t nice, I don’t know what is.''

exactly.